“Rewind-Still-REC” transforms the single-channel video screen into a laboratory of temporal elasticity, where the laws of physics yield to the logic of the edit. By engaging with action-focused works, the program moves beyond the documentary function of the camera to explore visual experiences that are impossible to realize in our daily reality. Here, the recording device is not a passive witness but an active conspirator; through techniques of reversal, playback, and montage, the artists deconstruct the linear flow of existence, revealing the "truth" of movement only through its manipulation.
The selection traverses the spectrum from the mechanical to the metaphysical. Yuan Goang-Ming and Yao Qingmei utilize the body as a site of endurance and alienation, whether through the uncanny friction of walking backwards against the forward march of the world, or the anxious, repetitive flagging of an ideal. While Ernest Fung and Eric Siu reframe the urban landscape through the detached gaze of the tram and the slapstick simulation of the video game, Alice Wong and Winsome Dumalagan Wong delve into the architecture of memory itself. Navigating between personal storytelling and the digital void of satellite imagery, they reconstruct civilizations from the debris of the archive, proving that reality is often just a matter of how the footage is assembled.
Free public access, limited seating.
「快轉漫步」將單頻螢幕轉化為時間彈性的實驗室，在此，物理法則讓位於剪輯的邏輯。本單元聚焦於以動作為核心的作品，超越攝影機的紀錄功能，探索那些在即時現實中無法具現的視覺體驗。在此，錄像設備並非被動的見證者，而是主動的共謀者；透過倒放、回放與蒙太奇等技法，藝術家解構了存在的線性流動，唯有透過對影像的操弄，揭示動作的「真實」。
選映作品橫跨了從機械性到形而上學的光譜。袁廣鳴與姚清妹將身體作為耐力與異化的場域，無論是透過逆行於世界前進步伐的詭譎摩擦，抑或是對理想充滿焦慮與重複的揮旗。當馮偉與蕭子文透過電車的抽離凝視與電玩遊戲的滑稽模擬來重塑城市景觀時，王雅媛與黃慧心則深入記憶本身的建築結構。她們遊走於個人敘事與衛星影像的數位虛空之間，從檔案的殘骸中重建文明，證明了所謂的現實，往往取決於影像如何被組裝。
免費公開活動，座位有限 。
「快转漫步」将单频萤幕转化为时间弹性的实验室，在此，物理法则让位于剪辑的逻辑。本单元聚焦于以动作为核心的作品，超越摄影机的纪录功能，探索那些在即时现实中无法具现的视觉体验。在此，录像设备并非被动的见证者，而是主动的共谋者；透过倒放、回放与蒙太奇等技法，艺术家解构了存在的线性流动，唯有透过对影像的操弄，揭示动作的「真实」。
选映作品横跨了从机械性到形而上学的光谱。袁广鸣与姚清妹将身体作为耐力与异化的场域，无论是透过逆行于世界前进步伐的诡谲摩擦，抑或是对理想充满焦虑与重复的挥旗。当冯伟与萧子文透过电车的抽离凝视与电玩游戏的滑稽模拟来重塑城市景观时，王雅媛与黄慧心则深入记忆本身的建筑结构。她们游走于个人叙事与卫星影像的数位虚空之间，从档案的残骸中重建文明，证明了所谓的现实，往往取决于影像如何被组装。
免费公开活动，座位有限。
